Still
from Secret Lives of the Artists:
Constable in Love
Golding Constable's Flower Garden
John
Constable, Golding Constable’s Flower
Garden, 1815, oil on canvas, 33 x 50.8 cm.Ipswich Museums and Galleries
Dedham Vale
John
Constable, Dedham Vale, oil on
canvas, 43.5 x 34.4 cm.Victoria and
Albert Museum, London.
The Influence of Claude (yet again)
Claude,
Landscape with Hagar and the Angel,
1646, oil on canvas, 52.7 x 43.8 cm.National Gallery, London
View Towards the East Bergholt, 30 September 1810
John
Constable, View Towards the East Bergholt
Rectory, 30 September 1810, oil on canvas laid on panel, 15.6 x 24.8
cm.Philadelphia Museum of Art
Flatford Mill
John
Constable, Flatford Mill, 1816 – 17,
oil on canvas, 101.6 x 127 cm.Tate,
London
The White Horse
John
Constable, The White Horse, 1819, oil
on canvas, 131.4 x 188.3 cm.Frick
Collection, New York
The Hay Wain
John
Constable, The Hay Wain, 1821, oil on
canvas, 130.2 x 185.4 cm.National
Gallery, London
Detail of The Hay Wain
Cumulus Clouds
John
Constable, Cumulus Clouds, 1822, oil
on paper laid on canvas, 30.5 x 50.8 cm.Yale Center for British Art, New Haven, Connecticut
A View on the Stour near Dedham
John
Constable: A View on the Stour near
Dedham, 1822, oil on canvas, 129.5 x 188 cm.The Henry Huntington Library and Art Gallery,
San Marino
Salisbury Cathedral, from the Bishop's Grounds
John
Constable, Salisbury Cathedral, from the
Bishop’s Grounds, 1823, oil on canvas, 87.6 x 111.8 cm.Victoria and Albert Museum, London
Yarmouth Jetty
John
Constable, Yarmouth Jetty, after
1823, oil on canvas, 32.4 x 50.5 cm.Tate, Britain
A Boat Passing a Lock
John
Constable, A Boat Passing a Lock,
1826, oil on canvas, 101.6 x 127 cm.Royal Academy of Arts, London
The Leaping Horse
John
Constable, The Leaping Horse, 1824 –
5, oil on canvas, 142.2 x 187.3 cm.Royal Academy of Arts, London
The Vale of Dedham
John
Constable, The Vale of Dedham, 1827 –
28, oil on canvas, 145 x 122 cm.National Gallery of Scotland, Edinburgh
Hadleigh Castle, The Mouth of the Thames
John
Constable, Hadleigh Castle, The Mouth of
the Thames – morning after a stormy night, 1829, oil on canvas, 122 x 161.9
cm.Yale Center for British Art, New Haven,
Connecticut
Salisbury Cathedral from the Meadows
John
Constable, Salisbury Cathedral from the
Meadows, 1831, oil on canvas, 151.8 x 189.9 cm.National Gallery, London
The Cenotaph
John
Constable: The Cenotaph (Cenotaph to the
memory of Sir Joshua Reynolds, erected in the grounds of Coleorton Hall,
Leicestershire, by the late Sir George Beaumont, Bart.), 1836, oil on
canvas, 132.1 x 108.6 cm.National
Gallery, London
Andrew Graham Dixon documentary: Constable in Love
J.
M. W. Turner, Self-Portrait, c.1799,
oil paint on canvas, 74.3 x 58.4 cm.Tate, London
Fishermen at Sea
J. M. W. Turner, Fishermen at Sea, 1796, oil on canvas,
91.5 x 122.4 cm.Tate, London
Morning Amongst the Coniston Fells, Cumberland
J.
M. W. Turner, Morning Amongst the
Coniston Fells, Cumberland, 1798, oil on canvas, 123 x 89.7 cm.Tate, London
Dolbadarn Castle
J.
M. W. Turner, Dolbadarn Castle, 1800,
oil on canvas, 119.5 x 90.2 cm.Royal
Academy of Arts, London
The Real Dolbadarn Castle
Photograph of Dolbadarn Castle
The Fifth Plague of Egypt
J.
M. W. Turner, The Fifth Plague of Egypt,
1800, oil on canvas, 121.9 x 182.9 cm.Indianapolis Museum of Art
Dutch Boats in a Gale: Fishermen Endeavouring to Put their Fish on Board (The Bridgewater Sea-Piece_
J.
M. W. Turner, Dutch Boats in a Gale:
Fishermen Endeavouring to put their Fish on Board (The Bridgewater Sea-Piece),
1801, oil on canvas, 162.5 x 221 cm.The
National Gallery, London
Williem van de Velde the Younger
Willem
van de Velde the Younger, A Rising Gale,
1671 – 2, oil on canvas, 129.5 x 189 cm.Toledo Museum of Art, Ohio
Calais Pier with French Poissards Preparing for Sea: An English Packet Arriving
J.
M. W. Turner, Calais Pier with French
Poissards Preparing for Sea: An English Packet Arriving, 1803, oil on
canvas, 172 x 240 cm.National Gallery,
London
Fall of the Reichenbach, in the Valley of the Oberhasil, Switzerland
J.
M. W. Turner, Fall of the Reichenbach, in the Valley of Oberhasli,
Switzerland, 1804, watercolour, scratching out and stopping out,103 x 70.4 cm.Cecil Higgins Art Gallery, Bedford
Mortlake Terrace. The Seat of William Moffatt, Esq: Summer's Evening
J.
M. W. Turner, Mortlake Terrace, The Seat
of William Moffatt, Esq.: Summer’s Evening, 1827, oil on canvas, 92 x 122
cm.National Gallery of Art, Washington
Snow Storm: Hannibal and his Army Crossing the Alps
J.
M. W. Turner, Snow Storm: Hannibal and
his Army Crossing the Alps, 1812, oil on canvas, 146 x 237.5 cm.Tate, London
Another Military Dictator Who Crossed the Alps: David's Napoleon
Jacques-Louis
David, Napoleon Crossing the Great Saint
Bernard Pass, 1801, oil on canvas, 260 x 221 cm.Musée National de Malmaison
John Martin is "Inspired" by Turner's Vortex
John
Martin, The Great Day of His Wrath,
1851 – 3, oil on canvas, 196.5 x 303.2 cm. Tate, London
Frosty Morning
J.
M. W. Turner, Frosty Morning, 1813,
oil on canvas, 113.5 x 174.5 cm.Tate,
London
Crossing the Brook
J.
M. W. Turner, Crossing the Brook,
1815, oil on canvas, 193 x 165 cm.Tate,
London
The Influence of Claude Lorrain
Claude
Lorrain, Landscape with Jacob and Laban
and his Daughters, c.1654, oil on canvas, 143.5 x 252 cm.Petworth House, Sussex
Dido Building Carthage; or The Rise of the Carthaginian Empire
J.
M. W. Turner, Dido Building Carthage; or
the Rise of the Carthaginian Empire, 1815, oil on canvas, 155.5 x 232
cm.National Gallery, London
Claude's Seaports
Claude
Lorrain, Seaport with the Embarkationof theQueen of Sheba, 1648, oil on canvas, 148.6 x 193.7 cm.National Gallery, London
The Decline of the Carthaginian Empire
J
M W Turner, The Decline of the
Carthaginian Empire, 1817, oil on canvas, 170 x 238.5 cm.Tate, London
The Field of Waterloo
J.
M. W. Turner, The Field of Waterloo,
1818, oil on canvas, 147.5 x 239 cm.Tate, London
Looming Out of the Darkness: The Influence of Rembrandt's Nightwatch
Rembrandt,
The Night Watch, 1642, oil on canvas,
363 x 437 cm.Rijksmusem, Amsterdam
England: Richmond Hill, on the Prince Regent's Birthday
J.
M. W. Turner, England: Richmond Hill, on
the Price Regent’s Birthday, 1819, oil on canvas, 180 x 334.5 cm.Tate, London
Venice: San Giorgio Maggiore from the Dogana
J.
M. W. Turner, Venice: San Giorgio
Maggiore from the Dogana, 1819, watercolour, 22.4 x 28.7 cm.Tate, London
Harbour of Dieppe (Changement de Domicile)
J.
M. W. Turner, Harbour of Dieppe
(Changement de Domicile), 1825, oil on canvas, 173.7 x 225.4 cm.Frick Collection, New York
Regulus
J.
M. W. Turner, Regulus, 1828, reworked
1837, oil on canvas, 91 x 124 cm.Tate,
London
Ulysses Deriding Polyphemus - Homer's Odyssey
J.
M. W. Turner, Ulysses Deriding Polyphemus
– Homer’s Odyssey, 1829, oil on canvas, 132.5 x 203 cm.National Gallery, London
A Skeleton Falling Off a Horse in Mid-Air
J.
M. W. Turner, A Skeleton Falling Off a
Horse in Mid-Air, c. 1825 – 30, oil on canvas, 60 x 75.5 cm.Tate, London
Keelmen Heaving in Coals by Night
J.
M. W. Turner, Keelmen Heaving in Coals by
Night, 1835, oil on canvas, 90.2 x 121.9 cm.National Gallery of Art, Washington
Wreckers - Coast of Northumberland with a Steam Boat Assisting a Ship Off Shore
J.
M. W. Turner, Wreckers – Coast of
Northumberland, with a Steam-Boat Assisting a Ship off Shore, 1834, oil on
canvas, 91.4 x 121.9 cm.Yale Center for
British Art, New Haven, Connticut
The Burning of the House of Lords and Commons
J. M. W. Turner, The
Burning of the House of Lords and Commons, 16th October, 1834,
1835, oil on canvas, 92 x 123 cm.Philadelphia Museum of Art
Turner on Varnishing Day at the Royal Academy 18th October 1834
William Parrott, Turner
on Varnishing Day at the Royal Academy, 1846, oil in panel, 25.1 x 22.9
cm.Ruskin Gallery, Sheffield
Dawn After the Wreck
J. M. W. Turner, Dawn
After the Wreck, c.1841, watercolour, gouache and rubbing out on paper,
25.1 x 36.8 cm.Courtauld Institute Gallery,
London
Turner's "Beginnings"
J. M. W. Turner, Colour
Beginning, 1819, watercolour on paper, 22.6 x 28.7 cm.Tate, London
The Fighting "Temeraire" Tugged to her Last Berth to be Broken Up
J. M. W. Turner, The
Fighting ‘Temeraire’ Tugged to her Last Berth to be Broken Up, 1838, 1839,
oil on canvas, 91 x 122 cm.National
Gallery, London
Simon Schama on Turner and the Romance of Britain
Slavers Throwing Overboard the Dead and Dying - Typhoon Coming On
J. M. W. Turner, Slavers
Throwing Overboard the Dead and Dying – Typhon Coming On, 1840, oil on
canvas, 91 x 138 cm.Musuem of Fine
Arts, Boston
Simon Schama on the impact of Turner's Slavers Throwing Overboard the Dead and Dying - Typhoon Coming On
Detail from Slavers
Detail of Slavers
Throwing Overboard the Dead and Dying – Typhon Coming On, 1840, oil on
canvas, 91 x 138 cm.Musuem of Fine
Arts, Boston
Turner's Schloss Rosenau, Seat of HRH Prince Albert of Coburg, near Coburg Germany compared with the popular work of the day - Thomas Creswick's A Summer Afternoon
J.
M. W. Turner, Schloss Rosenau, Seat of
HRH Prince Albert of Coburg, near Coburg, Germany, 1841, oil on canvas, 97
x 124.8cm, Walker Art Gallery, Liverpool
Thomas Creswick, A
Summer’s Afternoon, 1844, oil on canvas, 101.6 x 127 cm.Victoria and Albert Museum, London
Snow Storm - Steam Boat off a Harbour's Mouth
J. M. W. Turner, Snow
Storm – Steam Boat off a Harbour’s Mouth, 1842, oil on canvas, 91.5 x 122
cm.Tate, London
The Dogano, San Giorgio, Citella, from the Steps of the Europa
J. M. W. Turner, The
Dogano, San Giorgio, Citella, from the Steps of the Europa, 1842, oil on
canvas, 62 x 92.5 cm.Tate, London
The Angel Standing in the Sun
J. M. W. Turner, The
Angel Standing in the Sun, 1846, oil on canvas, 78.5 x 78.5 cm.Tate, London
Peace - Burial At Sea
J
M W Turner, Peace – Burial at Sea,
1842, oil on canvas, 87 x 86.5 cm.Tate,
London
War, the Exile and the Rock Limpet
J M W Turner, War, the Exile and the Rock Limpet,
1842, oil on canvas, 79.5 x 79.5 cm.Tate, London
Rain, Steam and Speed: The Great Western Railway
J
M W Turner, Rain, Steam and Speed: the
Great Western Railway, 1844, oil on canvas, 91 x 122 cm.National Gallery, London